Review: The Odyssey

When it comes to ‘spectacle’ in 21st century film, a few BNOCS (big names of campus, for the unversed) come to mind. Spielberg, Cameron, Villeneuve. Those directors who have climbed so far up in the film world with their craft that you just need a surname to recognise the figure. And high among those titans of talent sits Nolan. With Oppenheimer performing so strongly in conjunction with the ‘Barbenheimer’ gambit a few years ago, the world was, once again, at Nolan’s feet. After spending a decent few hours of 20th century historical angst seen through the eternally engaging expression of Cillian Murphy, Nolan chose to turn his sights backward. As in, centuries backward. Homer level backward.

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Friday Film Fight: The Count of Monte Cristo (2002) vs The Count of Monte Cristo (2024) vs The Count of Monte Cristo (Also 2024)

Apparently there are over 40 different adaptations of Dumas’ novel, so I haven’t even scratched the surface here. Anyway…here’s a brief comparison between these three lads, since these are the ones I’ve viewed so far.

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