‘Wait a minute, wait a minute, you ain’t heard nothing yet!’
Al Jolson’s ad-libbed opening line in The Jazz Singer famously announced the era of the talkie with the novelty of synchronised sound. With noise on the scene, intertitles were no longer necessary as a means of driving narrative. Characters could tell the story with their own voices. Jolson could express the joy of sound with all his dynamic, newly discernible vocal cords.
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