‘Can’t you hear me?’
The point of view shot is hardly a novel camera angle. We are often presented with an image, whether that might be a low angle shot of the Deadly Vipers staring down at you (Kill Bill Vol. 1), your crush gliding towards you in slow motion (The Royal Tenenbaums), or images of foreign human vessels moving around you (The Terminator). In this standard use of the technique, an image is shown of an environment containing significant objects or persons, and is subsequently followed by an image of the person who has just been viewing the previous image. It immerses the viewer in the narrative, making them connect with the character’s emotional state.
Continue reading “Minimalist Moments: The Diving Bell and the Butterfly”