A man wanders the lonely city streets in his car, surveying his surroundings. He’s not a man of many words, preferring to let his music (an eclectic selection that ranges from Velvet Underground to Nina Simone) do the talking for him. The audience are forced to gain meaning from music, imagery and sound as our protagonist emotes with still facial expressions and minimal body language. When he does eventually speak, short, laconic phrases are all he deigns to offer, and he can command authority and obedience simply by holding out his hand.
Continue reading “Review: Perfect Days”Recovery Films ‘n’ Stuff
Had a minor operation recently, and thought I’d provide a list of some of the enthralling activities I got up to while staying in hospital then recovering elsewhere. Which mostly consisted of watching films. But a few other things too.
Continue reading “Recovery Films ‘n’ Stuff”Quadruple Review: Wicked Little Letters, Bob Marley: One Love, Samsara, Drive Away Dolls
Some reviews I need to drop, all films with slightly varying quality. They’re still worth a watch, though.
Continue reading “Quadruple Review: Wicked Little Letters, Bob Marley: One Love, Samsara, Drive Away Dolls”Review: Oscars 2024
The results are in, so let’s give ’em a look. Mostly pretty predictable, but hey, there’s nothing wrong with a bit of predictability every once in a while.
Continue reading “Review: Oscars 2024”Oscars 2024: Best Picture Nominees Ranked
Only four days until the ceremony and I’ve watched all ten of these now, so it’s time for a ranking session, and it wasn’t easy. Read on for some controversial (and some less controversial) placements.
Continue reading “Oscars 2024: Best Picture Nominees Ranked”