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Nancy Epton

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Posted on May 10, 2022January 4, 2024

Brain Tumours: The Pervasive Cancer of the Screenplay

My second article for The Oxford Student concerning the portrayal of cancer in film. This was my 40th article for the paper (including print-only articles).

Brain tumors: the pervasive cancer of the screenplay
Posted on May 10, 2022January 4, 2024

The Art of the Trailer: Spoilers or the Best Bit?

In this Oxford Student article, I consider the growing trend in expository trailers that risk ruining plots, comparing them to the more subtle marketing of The Dark Knight Rises.

Nancy Epton on the art of the trailer: spoilers or the best bit?
Posted on May 10, 2022January 4, 2024

‘Drenched in Visual Splendour’: Star Trek Discovery Renders Resistance Futile

A review of Star Trek Discovery’s second season for The Oxford Student. With innovative plots, nuanced characters and incredible visuals, this comes highly recommended.

“Drenched in visiual splendour’: Star Trek Discovery renders resistance futile
Posted on May 10, 2022January 4, 2024

Ryan Gosling: A Master of Ambiguous Deaths?

Sure, Sean Bean probably has the monopoly when it comes to definitive on-screen deaths, but you know who’s the king of non-definitive deaths? Ryan Gosling. Read this Oxford Student article for several examples.

Ryan Gosling: a master of ambiguous deaths?
Posted on May 10, 2022January 4, 2024

Don’t Play It Again, Sam: Bad Movies with Great Soundtracks

Some movies have pretty wooden plots where soundtracks far exceed their content, and I’ve listed a few of them in this Oxford Student piece (admittedly, my view on Only God Forgives has changed a fair bit since writing this piece, but hey).

Don’t Play It Again, Sam: Bad Movies with Great Soundtracks

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