Christopher Nolan has never been one for linear narratives. If Memento, Interstellar, Inception, Dunkirk and Tenet have taught me anything, it’s to expect the unexpected. What’s that, you want a straightforward narrative following a single character with no mind-bending storylines? Look elsewhere. In Nolan we trust. Oppenheimer makes no exception to his time-bending trends, with the opening titles already preparing the audience for … Continue reading Double Review: Oppenbie